Felicidad Moreno’s (Madrid, 1960) paintings convey something cosmic and microscopic at the same time. Infinitely small and infinitely large. Over the years Moreno has mined a painterly language of overlapping lines, spray paint, melting enamel drips and gestural curved marks, which become beams of light and shadows, creating abstractions spiraling into the unknown. Moreno has embarked on an aesthetic journey where there is no beginning or end. Her work creates a parallel reality that allows the imagination to float in space and simultaneously, experience a molecular view of the world.